Although the name suggests that you will get a Stage 73 instrument, further investigation shows that Arturia Stage-73 V also offers quite a few Suitcase piano variations, which are extremely customizable. If you look for a flexible and gig-ready electric piano emulation for a highly reasonable price, do not look any further.Īnother physically-modeled instrument, but this time from Arturia, undisputed so far champions of said technology. BottomlineĪpplied Acoustics Systems Lounge Lizard EP-4 by far is one of the best virtual electric piano instruments with a highly flexible sound that doesn’t take much space on your hard drive. And having more than 240 instantly recallable presets and onboard FX doesn’t hurt either. But the most impressive part about Applied Acoustics Systems Lounge Lizard EP-4 is its playability and responsiveness. It truly shocking how much you can achieve with physical-modeling technology inside a modest 70MB package. The possibility to create your own presets and save them for future projects is the feature to love about AAS Lounge Lizard EP-4 even more. Another advantage is that it takes up as little space as possible. User-friendly GUI and the number of presets make this electric piano the best so far on the market. Users are in love with AAS Lounge Lizard EP-4 because of the quality of the sound. As there are no samples involved, the velocity layers are absent, which means you have an extremely responsive and dynamically rich instrument both suitable for studio sessions and live gigs. It is not a sample instrument, it is what is called a physically-modeled plugin, which gives us quite a few advantages. On the surface, Applied Acoustics Systems Lounge Lizard EP-4 looks like just another software emulation of Stage 73, but if you dig deeper, it turns out it is far more than that. See prices Pluginboutique / Sweetwater Best features and specs Best Rhodes VST Reviews Applied Acoustics Systems Lounge Lizard EP-4 The best thing about the times we are living in is that we do not have to spend a fortune and own a dedicated place to store a mighty Fender Rhodes to enjoy the striking sound. The Suitcase version had a built-in tremolo effect with an unmistakably distinguishable sound. And since the Stage version could be plugged into any amplifier, the sound design options were almost unlimited. ![]() But evidently enough, the sound is far more important than the logistics. Secondly, the sheer convenience of not needing to travel with a traditional acoustic piano. The vibrations of the wires were then registered by electro-magnetic pick-ups, producing a sweet and mellow, celeste-like sound capable of extraordinary sustain. It had a traditional mechanical piano keyboard, but hammers were striking on the metal wires instead of the strings. So why this instrument is so cherished and desirable? First of all, the sound. It was the last time when The Beatles performed live together. In fact, Billy Preston performed the whole rooftop concert with The Beatles on a Fender Rhodes. Also, this magnificent instrument is expressively present in “Get back”, recorded by the mighty Beatles in their later years. In case you still do not know what we are talking about here, you still probably heard how this magnificent piano sounds since it is the backbone of such an unavoidable classic as The Doors’ “Riders on The Storm”. The Fender Rhodes was incomprehensively popular in the 70’s amongst not only jazz and funk musicians but also psychedelic rock and blues adepts. The older models were then started to be called the Suitcase piano. This model was much lighter and could be used with any amplifier, although the most popular one to be used was Fender Twin Reverb. In the 70’s, the Stage Piano model was introduced. This instrument had a built-in amplifier and loudspeaker. In 1965, the first Fender Rhodes was released with a 73 note keyboard as opposed to the classic 88 note keyboard. In the 60’s, Fender started manufacturing the instrument with 32 bottom notes of the original Rhodes. Harold Rhodes invented this electric piano after World War II as he was teaching soldiers to play piano as a part of a rehabilitation program.
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